Archive for July, 2010

Interview with Susan Mogan

When I first saw Exuberance, I couldn’t take my eyes off of all the intricate details of the flowers and the way every colors blended into each other. The more I looked, the more I was drawn to the dreamy and wondrous landscape of the quilt. I guess a moment like this is called love at first sight, but I soon realized that I became infatuated with all Susan’s other works. Needless to say, I sent her an email the moment she walked out of the door.

Mrs. Mogan standing in front of Exuberance, telling us about the stories behind it

When did you start quilting?
For most of my life I did not like quilts – I thought they were dull and boring. Then about 6 years ago I began seeing bright, contemporary quilts that were bursting with color and energy. I knew immediately that was what I wanted to do. I began with a traditional quilt making class (by machine, of course), and over time have explored my own artistic vision through a mix of traditional and contemporary/mixed-media styles.

Who are your favorite artists?
I love a variety of styles and artists. Contemporary quilt artists like Caryl Bryer Fallert, Libby Lehman, Phillipa Naylor, Noriko Endo, Katie Pasquini Masopust, and others all serve as inspirations, as well as the new mixed-media artists and digital artists.

How long does it take you to finish a piece of quilt?
The time required to make one of my quilts varies immensely, depending on the style of quilt (pieced vs. painted), the size, and how distracted I get doing other things! Exuberance took me about three months, while Jubilee, being an intricate pieced design, took almost five months. I think the fastest I have ever finished a quilt was one month, and I must admit that in order to do that my house was a wreck and my family complained that they never saw me!

Jubilee, hung horizontally at the Park View Gallery

Close up on Jubilee

Where do you draw your inspirations from?
Inspiration comes from everywhere! I get lots of ideas from nature, especially flowers, and I am totally enthralled with really good graffiti. I’m actually working on making a graffiti quilt. Sometimes I get an idea from a verbal cue – someone will be talking about something and I get a picture in my head of how it could be as a quilt. I find that in general I am most inspired by color and movement of the design, by a sense of energy and freedom that I am trying to convey.

Exuberance in detail

Flowers, leaves, stems, ferns... Nature!

Which websites do you visit routinely?
I don’t spend a lot of time on the web (because I’m always quilting!), but my favorite sites include Amazon (as I am a voracious reader), Quilting Arts, Dick Blick art supplies, and Ebay sometimes for fabric.

Favorite book?
Favorite book is a real tough one, as I have loved numerous books over my lifetime. Reading has always been my escape and means of living another life or getting inside someone else’s head. Growing up I was a total Nancy Drew fan, and still have my collection. I also love the whole Lord of the Ring series, probably the only books I have read numerous times. In general, I like really good science fiction that deals with cutting edge ideas, well researched historical fiction, and books with depth in their characters or unique situations that make you think how would I handle this?

Favorite musician?
I have no one favorite musician. I get bored easily, so I like a variety of musical styles. I usually listen to rock or pop, and I try to keep up with new musicians coming on the scene so I don’t get stuck in the music of my past. No golden oldies station for me!

What is your most treasured possession?
While I have lots of things that I cherish, my favorite is probably a sculpture made by the Israeli artist Haziza. It is simply differently textured squares of vibrant color in acrylic, but it is so beautiful!

Interviewed by Connie Q.


Interview with Terry K. Hitt

During the gallery stroll last Saturday on July 10th, I got a chance to meet and speak with our featured artist: Terry Hitt, whose works range from landscape to abstract. Just a few minutes into our conversation, I immediately became fond of Terry’s infinite passion in art, appreciation of nature, and an overall awareness of his surroundings. His creativity and knowledge quickly inspired me to learn more about him and his art. Terry was nice enough to let me interview him through email.

Terry smiles at the Yoctangee Park across from Park View Gallery

Can you tell us a little about yourself?

I am 75 years into seeing art everywhere. Sometimes the constant search for just the right scene or inspiration prevents me from enjoying the moment and I have to shut off the artist eye and just be at one with my environment.

My mother was an artist and my father very pious so I became a life long searcher for truth and beauty in all things. I attended the Columbus College of Art and Design and graduated from Otterbein College with a major in Psychology-Sociology and minors in Greek and Art. After graduating from  United Theological Seminary I served as a pastorate for a year and realized my calling is in art. I was an illustrator for the Otterbein Press and then went from freelance to associate professor at the University of Dayton and retired from teaching at the end of 1997.  I completed an MFA degree at the University of Cincinnati.

You have a Masters degree in Divinity. How did you transition from theology to art?

Since I view art as exploring the meaning of being human and since the meaning of life is central to religion, I think all artists are theologians in spite of ourselves.

Where do you draw your inspirations from? What have been some of your biggest influences when it comes to your work?

I draw inspiration from Nature and all the artists who came before me. Perhaps I am a Pantheist like my Celtic origins since I am awestruck in the presence of Nature. All of art history is of interest to me but I find special affinity with Kandinsky, Matisse, Diebenkorn and Native American rock drawings. Currently I am slowly learning to appropriate Impressionists and Hudson Bay school into my landscapes.

Scottish Highland reflects Terry's ancestry in Scotland, Ireland and Germany, "All ancient Celts"

How do you see technology, such as photoshop, play a role in your artwork?

I photograph my subjects of interest in my garden or on hikes then use photoshop to combine various elements into a composition and try various color contrasts in search of the feelings I have while in nature.

Although the film industry and computer games are extraordinary in their detail and fantasy, I don’t think they can replace fine painting because the history of the artist’s process is preserved in the paint.

In excellent paintings, each stroke of paint is just the right mixture of observation and passionate response to evoke a sense of truth in the moment. In addition, the intensely personal act of seeking purpose through art making is at times shamanistic. The magic of art is to make the difficult appear to be easy.

Your work often involves unexpected elements such as animal remains. How do you incorporate different mediums into your art?

I have included natural materials in many of my works in tribute to native peoples and to celebrate the mysterious circle of life/death. The paradox of life is that he who eats is eaten in the end. The materials are dried and coated with either acrylic emulsion or varnish.

Kandinsky Sorcery: A mix of dried vegetation, animal and insect remains, coated in acrylic emulsion with final painting in oil on canvas

As a retired art professor from University of Dayton, what would you say to young artists?

Young artists must never forget that ninety percent of art is hard work and sweat. Trial and many failures precede success. Skill and process must become one.

What can we expect to see from you in the near future? Do you have any shows coming up or are there any projects that you are involved in?

Currently I am working on increasing both my observational skills and painterly response through my love of South Eastern Ohio and Daniel Boone State Park, Kentucky. The play of light on form and contrasts between illuminated areas and deep shadow evoke in me a feeling of primordial beginnings.

Glen Laurel Stream Face

Conkle's Hollow

Interviewed by Connie Q.